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Please use this identifier to cite or link to this item: http://localhost:8080//handle/123456789/2457
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DC FieldValueLanguage
dc.contributor.authorNataraja, N.P-
dc.date.accessioned2021-02-15T09:56:29Z-
dc.date.available2021-02-15T09:56:29Z-
dc.date.issued1981-
dc.identifier.issn0973-662X-
dc.identifier.urihttp://203.129.241.91:8080//handle/123456789/2457-
dc.description.abstractThe changes in pitch which occur within a sentence are not hapazard variation. The pattern of variation, the rules of changes, are highly organised. Their intricacy is so great that, although one speaks his language with little effort, their analysis is extremely difficult and may induce one to conclude that no actual organization or rules are present, but that people use pitches by whim and fancy. In each language, however, the use of pitch fluctuation tends to become semi-standardized, or formalized, so that all speakers of the language use basic pitch sequences in similar ways under similar circumstances. These abstracted characteristic sentence melodies may be called " Intonation contours ", ' (Pike, 1945)en_US
dc.language.isoenen_US
dc.subjectIntonation contoursen_US
dc.subjectMelodiesen_US
dc.titleIntonation in Four Indian Languages Under Five Emotional Conditionsen_US
dc.typeArticleen_US
dc.journalname.journalnameJournal of All India institute of Speech and Hearingen_US
dc.volumeno.volumeno12en_US
dc.pages.pages22-27en_US
Appears in Resource:Journal Articles

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